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Fri June 15, 2012
Celebrating the Plains Indian Museum Powwow - Cody
Periodically, the Plains Indian Museum staff fields the question “What makes your powwow unique and special compared to other powwows?” Typically, the question is asked by those who have never attended this powwow. However, once they do, the answer unfolds before them. The Plains Indian Museum Powwow has been celebrated for 31 years each summer in Cody, Wyoming, and now attracts 300 dancers from all over the United States, nearly 5,000 visitors, and is the largest, longest running public program at the Buffalo Bill Historical Center.
What is special about this Powwow is not measured in years, numbers, or aesthetics, but in the relationships it has fostered since it originated in 1981. The Plains Indian Museum Powwow began as a small gathering of dancers, a single drum group, and mostly local spectators at the Cody High School football field. The Robbie Powwow Grounds, its present location, didn’t yet exist; and the stage consisted of a flatbed trailer. The story of the lone drum group has become somewhat of a Historical Center legend: The drum group’s car broke down in Cody; they heard about a powwow in town and asked if they could stay and drum.
That was the beginning of an amazing synthesis of culture and community as the powwow began to grow and take on an identity as “the Cody Powwow.” This Powwow was different for many reasons. It was not held on or near an Indian reservation, as are most Plains powwows, and it was not an Indian community event or a large-scale competitive powwow on the summer “powwow circuit.” Dancers had to travel to a fairly remote locale to a little known event—reasons that should have kept them away. But the dancers continued to come, probably due to the Powwow’s relaxed, low-key nature. It became known as a family event, one where attendees could enjoy the company of friends and relatives in a pleasant setting.
The dancers and the Indian community were the first priority for the staff and volunteers working on the event. As the Powwow became established within the regional Indian communities as an annual event, it has also maintained its status as a competitive, intertribal powwow. Although the size of the Powwow has increased exponentially in the last 31years, it’s still a celebration of cultural traditions for the dancers, drummers, artisans, and their families. The difference today lies in the fact that the participants share their traditions with a much wider audience of thousands of visitors.
The addition of the Robbie Powwow Gardens in 1987 contributed immeasurably to the expansion of the Powwow. The late Joe Robbie, former owner of the Miami Dolphins football team, donated funds for the construction of a powwow arena along with surrounding gardens and buildings. The grounds opened for the Seventh Annual Plains Indian Museum Powwow and featured a beautiful outdoor amphitheater setting with a stage and concession stand. Moving the event to the Historical Center grounds gave it a setting of its own, further developing the Powwow’s positive status as both a celebration for participants and a local cultural event for visitors.
The Powwow has always been a gathering place for multiple generations and remains that way today. Participants have the opportunity to renew family ties and friendships, and to share traditions with one another. Because the Powwow has dance categories for all ages, tiny tots (6 and under) to golden age (65 and over), as well as social dances, it is not unusual to see entire, extended families attending and participating in one way or another. Mothers and siblings accompany babies, toddlers, and preschoolers in tiny tots; and grandparents, if not competing, are watching the dancers and supporting their families from outside the dance arena. Drum groups often have younger singers sitting in to listen or to help sing.
The Plains Indian Museum Powwow—and powwows in general—are not a static tradition. Dancers have a place to show unique artwork and materials on clothing. Although each dance category has traditional aspects that dancers follow, there is room for individuality.
The team dancing competition at the Plains Indian Museum Powwow has become especially dynamic in recent years as teams tell dramatic stories through their dances. It is a forum, unique to this Powwow, which allows for more personal innovation in the dances than is typically seen. Teams are able to combine male and female dancers, and can add drama and elements of humor to their dances. This is a sign the dancers are making the Powwow their own. Families sponsor specials and giveaways as a way of honoring individuals or families. By doing this, participants help create the identity of the Powwow as opposed to simply attending.
Maintaining a balance between a powwow that provides a positive experience for Indian participants, and an exciting, educational experience for an audience of thousands is challenging. Emma Hansen, Plains Indian Museum Curator notes:
The Powwow may seem to many onlookers as a colorful and entertaining performance featuring singers and dancers in beautiful regalia. The Powwow, however, has a deeper significance for Plains Indian people as a powerful manifestation of their heritage, cultural histories, and traditions as well as a contemporary expression of their arts.
For a powwow to be truly authentic, traditional aspects of the powwow must remain intact. There are important spiritual and ceremonial aspects to be respected during the course of any powwow. To aid in their understanding of the various Plains Indian Museum Powwow activities, visitors are taught (through the emcee and programs, such as the Learning Tipi) about the history of the modern day powwow, which emerged from over a hundred years of ceremonial and social dance traditions and gatherings of Plains tribes.
Arthur Amiotte, Plains Indian Museum Advisory Board member, explains the significance of pre-powwow gatherings:
…this was the occasion for the people to adorn themselves in traditional beauty and dance regalia, thereby affirming their identities and pride in who they were. At this time, these gatherings were not called nor known as powwows. This term would not become popular until the late 1950s. Competitive dancing did not take place. These were tribal gatherings, shows of solidarity, affirmation, and renewal of relationships.
Values of pride, solidarity, and the importance of tribal and family relationships still exist. In fact, they are the driving force that keeps the powwow tradition alive. Visitors are reminded that these traditions didn’t materialize overnight, but were born and nurtured through human interaction. By understanding the history and values behind what they are witnessing, visitors to the Plains Indian Museum Powwow can better appreciate the role of the powwow in Indian cultures.
Dancers, drummers, vendors, and members of the Indian communities who have been attending for so many years also feel comfortable offering opinions and advice about what they’ve enjoyed, and what may need to change. There has been much trial and error, but each year the Powwow is reviewed and fine-tuned to make it successful from the standpoint of everyone involved.
The Powwow has given both Indian and non-Indian peoples the opportunity to connect to something beyond their everyday life experiences. Whether it is a family connection, a new or renewed friendship, or an appreciation of one’s own or another culture, the Powwow is a celebration of these opportunities. In its thirty-first year, the Plains Indian Museum Powwow is a living tradition that will unfold into the next century.
Rebecca West is the Assistant Curator for the Plains Indian Museum.
Learn more about the Plains Indian Museum Powwow at www.bbhc.org/explore/events/powwow/.