Fresh Air on Wyoming Public Radio

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

The voiceovers from Terrence Malick's To the Wonder, which has a lot of them, are intoned on the soundtrack while the characters stare into sunrises or sunsets — whenever the light is right, what cinematographers call, "the magic hour." This film and Malick's last, The Tree of Life, suggest that he's evolved into a blend of director and Christian minister: These are psalms writ on film.

By 1928, Earl Hines was jazz's most revolutionary pianist, for two good reasons. His right hand played lines in bright, clear octaves that could cut through a band. His left hand had a mind of its own. Hines could play fast stride and boogie bass patterns, but then his southpaw would go rogue — it'd seem to step out of the picture altogether, only to slide back just in time.

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TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. The CIA and the military have been transformed in ways that have blurred the boundaries between them. The shape of the new military intelligence complex is the subject of my guest Mark Mazzetti's new book, "The Way of the Knife." He writes: The CIA is no longer a traditional espionage service, devoted to stealing the secrets of foreign governments. The CIA has become a killing machine, an organization consumed with man-hunting.

In 1955, John R. Cash was a sometime auto mechanic, sometime appliance salesman who liked to play the guitar and sing, mostly gospel songs. The "R" in his name didn't stand for anything — and, in fact, he'd been named J.R. at birth and had to come up with "John" when he joined the Air Force. He'd spend the rest of his life reinventing himself.

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TERRY GROSS, HOST:

This is FRESH AIR. We're going to remember Annette Funicello. She died yesterday at the age of 70 from complications of multiple sclerosis, which she had had for more than 25 years.

Mental is madder than madcap. I heard one critic sniff, "It's kind of broad" — and, Your Honor, the defense agrees! But if broad means "unsubtle," it doesn't have to mean "unreal." Mental makes most other movies seem boringly, misleadingly sane.

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TERRY GROSS, HOST:

This is FRESH AIR. David Kuo died Friday of brain cancer at the age of 44. We're going to hear an excerpt of my interview with him. When President Bush created the office of Faith-Based and Community Initiatives in 2001, Kuo, a conservative, evangelical Christian, became its deputy director. When he left the office in 2003, he accused the Bush administration of manipulating conservative Christians to get the Christian vote.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Fresh Air remembers the film critic and bon vivant Roger Ebert, who died Thursday, with a roundup of interviews from our archive.

In one, from all the way back in 1984, host Terry Gross talks with Ebert alone; in a second conversation, from 1996, Terry interviews both Ebert and his late partner Gene Siskel onstage at Northwestern University.

In two very special conversations, Ebert himself interviews iconic directors Francis Ford Coppola and Martin Scorsese.

And finally, critic-at-large John Powers discusses Ebert's 2011 memoir Life Itself.

It's a funny thing about dictionaries. First we're taught to revere them, then we have to learn to set them aside. Nobody ever went wrong starting a middle-school composition with, "According to Webster's ..." but that's not how you start an op-ed commentary about terrorism or racism. When it comes to the words that do the cultural heavy lifting, we're not about to defer to some lexicographer hunched over a dusty keyboard.

For decades, when broadcast television called the shots and dominated the TV landscape, the biggest event of the year was "the fall season," when networks would unveil their new shows and return with fresh episodes of old favorites. But now, because of cable and satellite TV, the fall season isn't the only game in town.

Kacey Musgraves is something of an anomaly. A Texas native in her mid-20s, she fits most easily into the contemporary "country" category, but the work she co-writes with a variety of collaborators is really a throwback to an earlier era of singer-songwriters — as much influenced by rock and folk as by country.

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TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. My guest has often thought of his father as neither dead nor alive. Hisham Matar's family was living in Egypt, in exile from Libya, when Matar's father, a prominent opponent of the Gadhafi regime, was kidnapped, taken back to Libya and imprisoned. That was in March 1990, and it was the last time Matar saw his father.

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TERRY GROSS, HOST:

This is FRESH AIR. We're going to remember the record producer and engineer Phil Ramone who died Saturday at the age of 79. He won 14 Grammys. He started his career as an engineer, recording singers like Lesley Gore, Dusty Springfield and Dionne Warwick. He went on to produce recordings by Paul Simon, Billy Joel, Barbara Streisand, Ray Charles and Tony Bennett as well as the original cast recording of Stephen Sondheim's "Passion."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Awhile back, I went to the Los Angeles County Museum of Art to see its show on filmmaker Stanley Kubrick. It was jammed with visitors poring over his letters, eyeing the dresses worn by the spooky twins in The Shining, and posing for photos in front of the sexy-futuristic decor of the Korova Milk Bar from A Clockwork Orange.

Emmylou Harris' first solo album, "Pieces of the Sky," was released in 1975 after the death of her singing partner, Gram Parsons. The opening track on the album is a song called "Bluebird Wine," by a then-unknown songwriter named Rodney Crowell. She recorded two more of his songs on her next album, got him to join her band in the mid-'70s and now, after an almost 40-year friendship, the two musicians have recorded an album together called Old Yellow Moon. The two talk with Terry Gross about their long, enduring careers, their friendship, their influences and singing harmony.

On Monday evening on MSNBC, All In with Chris Hayes will premiere, making the 34-year-old the youngest prime-time anchor on any of the major cable news channels. For the past 18 months, he has hosted an early morning weekend show — Up with Chris Hayes — on MSNBC, but he's already a familiar face to MSNBC evening viewers: He has frequently filled in for Rachel Maddow and has been a popular guest on her show.